Again, if the range of solar-punk was to include visible labour that’s celebrated then I would agree. I must’ve explained this point a dozen times in this thread, and you just keep ignoring it. It’s as if you don’t actually honestly want to engage with what’s being said to you.
can you tell me what i haven’t honestly engaged with? you say that solar-punk doesn’t include the workers in high detail in its landscape art, and i’m saying that soviet sci-fi does the exact same thing, because it’s centered on future landscapes just like solar-punk
You haven’t honestly engaged with my point that the difference between socialist realism and solar-punk is that social realism both includes aspects similar to solar-punk such as the Soviet sci-fi pictures you keep posting here as well as celebration of workers. The range of art includes many different aspects of a socialist society painting a convincing picture that’s holistic. Meanwhile, solar-punk focuses on a narrow aspect of society leaving much to interpretation making it compatible with socialism or other social/economic models. Hence the title for the post.
that is socialist realism, but an artistic interpretation of a real rocket isn’t sci-fi
Meanwhile, solar-punk focuses on a narrow aspect of society leaving much to interpretation making it compatible with socialism or other social/economic models.
you said right here that solar-punk, an aesthetic that focuses on a sustainable future with a repairing climate is compatible with other social/economic models, or as you said in the title, the nordic model, which is capitalism
that is socialist realism, but an artistic interpretation of a real rocket isn’t sci-fi
Evidently you haven’t seen what a real rocket looks like.
you said right here that solar-punk, an aesthetic that focuses on a sustainable future with a repairing climate is compatible with other social/economic models, or as you said in the title, the nordic model, which is capitalism
What I said is that solar-punk is a superficial aesthetic that has no connection to how a socialist society actually functions. The depictions of farming you used as examples earlier are a perfect example of that. By your own admission, they paint a flawed depiction of the subject. The reason being is that this aesthetic isn’t created by people actually engaged in this type of labour, and who haven’t bothered to even observe it themselves. It’s fundamentally hollow, and as such it’s compatible with all sort of ideologies. Socialist art is political in nature, and its job is to provide a plausible vision for people to rally around.
those who drew the art you posted were not welders, they were not cosmonauts, and did not observe them judging from the look of the rocket. how can you say the same about solarpunk artists from one flawed piece of art?
solar-punk is political in nature, it posits a ecologically sustainable future, a future without capitalism. do you think a sustainable future with a repairing climate is compatible with the nordic model?
Plenty of socialist artists come from these professions, many others have spent time actually studying the subjects and living with the people they portray. You’re just showing your utter ignorance of the subject you’re attempting to debate here.
solar-punk is political in nature, it posits a ecologically sustainable future, a future without capitalism. do you think a sustainable future with a repairing climate is compatible with the nordic model?
I implore you to actually read the comment you’re replying to.
Again, if the range of solar-punk was to include visible labour that’s celebrated then I would agree. I must’ve explained this point a dozen times in this thread, and you just keep ignoring it. It’s as if you don’t actually honestly want to engage with what’s being said to you.
can you tell me what i haven’t honestly engaged with? you say that solar-punk doesn’t include the workers in high detail in its landscape art, and i’m saying that soviet sci-fi does the exact same thing, because it’s centered on future landscapes just like solar-punk
You haven’t honestly engaged with my point that the difference between socialist realism and solar-punk is that social realism both includes aspects similar to solar-punk such as the Soviet sci-fi pictures you keep posting here as well as celebration of workers. The range of art includes many different aspects of a socialist society painting a convincing picture that’s holistic. Meanwhile, solar-punk focuses on a narrow aspect of society leaving much to interpretation making it compatible with socialism or other social/economic models. Hence the title for the post.
soviet sci-fi is not under the umbrella of social realism, and how is an sustainable future with a repairing climate compatible with capitalism?
Really going to argue this isn’t socialist realism are you?
What does this have to do with anything I said?
that is socialist realism, but an artistic interpretation of a real rocket isn’t sci-fi
you said right here that solar-punk, an aesthetic that focuses on a sustainable future with a repairing climate is compatible with other social/economic models, or as you said in the title, the nordic model, which is capitalism
Evidently you haven’t seen what a real rocket looks like.
What I said is that solar-punk is a superficial aesthetic that has no connection to how a socialist society actually functions. The depictions of farming you used as examples earlier are a perfect example of that. By your own admission, they paint a flawed depiction of the subject. The reason being is that this aesthetic isn’t created by people actually engaged in this type of labour, and who haven’t bothered to even observe it themselves. It’s fundamentally hollow, and as such it’s compatible with all sort of ideologies. Socialist art is political in nature, and its job is to provide a plausible vision for people to rally around.
those who drew the art you posted were not welders, they were not cosmonauts, and did not observe them judging from the look of the rocket. how can you say the same about solarpunk artists from one flawed piece of art?
solar-punk is political in nature, it posits a ecologically sustainable future, a future without capitalism. do you think a sustainable future with a repairing climate is compatible with the nordic model?
Plenty of socialist artists come from these professions, many others have spent time actually studying the subjects and living with the people they portray. You’re just showing your utter ignorance of the subject you’re attempting to debate here.
I implore you to actually read the comment you’re replying to.