I am a filmmaker and have shot in 6k+ resolution since 2018. The extra pixels are great for the filmmaking side. Pixel binning when stepping down resolutions allows for better noise, color reproduction, sharpened details, and great for re-framing/cropping. 99% of my clients want their stuff in 1080p still! I barely even feel the urge to jump up to 4k unless the quality of the project somehow justifies it. Images have gotten to a good place. Detail won’t provide much more for human enjoyment. I hope they continue to focus on dynamic range, HDR, color accuracy, motion clarity, efficiency, etc. I won’t say no when we step up to 8k as an industry but computing as a whole is not close yet.
6K and 8K is great for editing, just like how 96 KHz 32+ bit and above is great for editing. But it’s meaningless for watching and listening (especially for audio, you can’t hear the difference above 44khz 16 bit). When editing you’ll often stack up small artifacts, which can be audible or visible if editing at the final resolution but easy to smooth over if you’re editing at higher resolutions.
Imagine you’re finishing in 8k, so you want to shoot higher resolution to give yourself some options in reframing and cropping? I don’t think Red, Arri, or Panavision even makes a cinema camera with a resolution over 8k. I think Arri is still 4k max. You’d pretty much be limited to Blackmagic cameras for 12k production today.
Plus the storage requirements for keeping raw footage in redundancy. Easy enough for a studio, but we’re YEARS from 8k being a practical resolution for most filmmakers.
My guess is most of the early consumer 8k content will be really shoddy AI upscaled content that can be rushed to market from film scans.
film scanning at 4k res already reveals the granular structure of film, at 8k it’s going to become hard to ignore. And you’re spot on - they’ll do crappy 8k upres garbage for ages before the storage and streaming become practical.
There is also a 17k blackmagic coming out! The high resolution sensors they use aren’t a standard RGB pixel layout though so it’s not a great direct comparison. Like you said though, there’s no pipeline or good workflow for 8k in the slightest. Will take years if the industry decides to push for it
I am a filmmaker and have shot in 6k+ resolution since 2018. The extra pixels are great for the filmmaking side. Pixel binning when stepping down resolutions allows for better noise, color reproduction, sharpened details, and great for re-framing/cropping. 99% of my clients want their stuff in 1080p still! I barely even feel the urge to jump up to 4k unless the quality of the project somehow justifies it. Images have gotten to a good place. Detail won’t provide much more for human enjoyment. I hope they continue to focus on dynamic range, HDR, color accuracy, motion clarity, efficiency, etc. I won’t say no when we step up to 8k as an industry but computing as a whole is not close yet.
The same argument goes for audio too.
6K and 8K is great for editing, just like how 96 KHz 32+ bit and above is great for editing. But it’s meaningless for watching and listening (especially for audio, you can’t hear the difference above 44khz 16 bit). When editing you’ll often stack up small artifacts, which can be audible or visible if editing at the final resolution but easy to smooth over if you’re editing at higher resolutions.
Imagine you’re finishing in 8k, so you want to shoot higher resolution to give yourself some options in reframing and cropping? I don’t think Red, Arri, or Panavision even makes a cinema camera with a resolution over 8k. I think Arri is still 4k max. You’d pretty much be limited to Blackmagic cameras for 12k production today.
Plus the storage requirements for keeping raw footage in redundancy. Easy enough for a studio, but we’re YEARS from 8k being a practical resolution for most filmmakers.
My guess is most of the early consumer 8k content will be really shoddy AI upscaled content that can be rushed to market from film scans.
film scanning at 4k res already reveals the granular structure of film, at 8k it’s going to become hard to ignore. And you’re spot on - they’ll do crappy 8k upres garbage for ages before the storage and streaming become practical.
There is also a 17k blackmagic coming out! The high resolution sensors they use aren’t a standard RGB pixel layout though so it’s not a great direct comparison. Like you said though, there’s no pipeline or good workflow for 8k in the slightest. Will take years if the industry decides to push for it