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Joined 1 year ago
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Cake day: April 27th, 2024

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  • Some might say interconnecting everything could be a legitimate goal. Nonetheless, some people started to report about huge amounts of data and metadata being sent to Matrix central servers.

    Curious that this claim is without source in the original.

    I also have porblems with their claims about bridges. Bridges are Band-Aids to allow you to communicate with people not on Matrix, not a dark masterplan to build a central spionage hub.

    By default, a homeserver trusts matrix.org in questions of federation and identity of other servers. You have to get that trust from somewhere. You are free to choose another source for that.

    (For example, my homeserver isn’t federated at all, and has that trusted server removed; it doesn’t communicate with anyone. Also it’s not synapse, but that’s besides the point.)



  • smiletolerantly@awful.systemstoaww@lemmy.worldIt really did
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    4 days ago

    Yep.

    Those older movies are beautiful achievements for sure. But it’s disingenuous to say that there isn’t a plethora of movies and shows today that rival and surpass those older examples visually. Not to speak of just how much more fluent animation has become.

    Many of the people who worked on those older masterpieces are still in animation today, and have only become better at their art.











  • The Magicians (2016): It often gets pitched as “Hogwarts for adults” because it features a magic college/university, but honestly that is just the initial backdrop and a massive undersell.

    It is the rare show where the creators were seemingly handed a blank cheque to be as creative as they want to be, and they make full use of that in more ways than I can list here (but which definitely includes both the magic system itself, and the hilarious nonchalance towards the consequences of magic being a reality); yet all the while, they stay true and fiercely loyal to their characters, who are all deeply flawed, but which you can’t help but want to see succeed; plus they managed to write genuinely great humor.

    The best summary of the show comes from one of the characters themselves: “Magic doesn’t come from talent. It comes from pain.”

    Be warned: the first few episodes, and possibly the first season, are the weakest and roughest of the bunch, which probably really hampered viewership. They do still manage to find their own tone, but it’s nothing compared to seasons 3-5.