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Cake day: July 3rd, 2023

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  • This right here. I liked how TNG did it. Series premier bring an oldster in to launch, maybe have a special episode or two with another.

    If we really wanted Colm back, have it in the premier of Starfleet Academy where the new cadets are going through a hall of distinguished professors and have an elderly O’Brien do a cameo with a sample of one of his lectures. Nice to connect the show to lore and nostalgia but short enough to let the new cast stand on their own.

    That said, I agree with Colm. Let O’Brien stay as he is. He had a perfect send-off.



  • Yes-ish. The characters were villains, but the organization wasn’t necessarily. For instance, in Discovery season 2, Leland and his crew were the villains, but Section 31 was portrayed less as an extremist cabal and more as a misguided morally-grey organization. Less a blight upon the Federation and more an uncomfortable, but integral, part of it.

    @setsneedtofeed@lemmy.world captures it well. Instead of being a cabal of extremists doing illegal and immoral things because they think they’re connected to a higher purpose, they’re a semi-official CIA-like organization.

    I guess what I’m trying to say is that Section 31 isn’t supposed to be a cool or semi-legitimate organization (with ships, insignia, etc.) but rather shadowy and absolutely beyond the pale of legitimacy where very few can stomach what they do. From an artistic/thematic POV, Section 31 should be there to show us that a good society requires work to maintain and that its undoing can come from within by those claiming to protect it by eschewing that society’s values. In other words, the ends don’t justify the means.


  • It should be a conspiracy of like-minded individuals that exists parasitically within Starfleet, not an official (or an “unofficial official” agency).

    I agree. When 31 was first introduced, and Sloan explained that Section 31 was sanctioned by Starfleet under Article 14, Section 31 of the Starfleet Charter, the implication was that they were people who misinterpreted or construed a (probably minor) part of the Starfleet Charter and used it to justify damn near anything.

    Personally, I hate how Section 31 has been changed to be misunderstood, cool good guy/anti-hero types who are doing the wrong things for the right reason. DS9 had it right with portraying them as the villains within who should be snuffed out because the ends don’t justify the means.







  • Honestly, that 180 day window thing is nominal. The execution of all of that will take way longer with all of the litigation that would happen, and it’ll take a couple of years to get it all enacted (slow at first then accelerating as more gets enacted).

    Personally, I’d prefer if it were fast. The sudden change would wake people up, and cause way more civil unrest. If it’s slow, we end up as frogs slowly boiling. Fewer people will protest or cause issues if things unfold slowly. It’s the idea of the frog in the boiling water. If the changes are swift, there’s a higher chance of ordinary people taking notice and fighting to reverse them.



  • I see your point, but I still don’t think the scene works, but thinking about it like that makes it much more watchable. My point is that the scene is simultaneously poignant and a throw-away. It’s a “big deal” but also just one scene.

    By the 32nd century, something like that should be such a non-issue for humans, that it would be like stating just another fact about yourself (amnesia and trust-issues aside), which lends itself to being a throw-away…but that defeats the purpose of the scene. Again, I am all about the message and Stamets’ reaction, but it felt very 21st century and on-the-nose.

    I’d have preferred if Adira were just non-binary from the beginning and maybe have a quick correction of someone when they were misgendered. Or, let that scene be the reveal of something else, like the symbiont. With that change (I’d have to rewatch the season to see where this scene was in relation to the symbiont reveal), I think the scene would still work while tightening up the writing. I also think it’d get the message across, too.

    Now, if the writers really wanted that scene to stay as-is, there are options. Make them an alien from a culture not as enlightened (which would cause other issues) or have this scene play into a bigger theme of Earth backsliding post-Burn (like a Dark Ages) to have mores closer to the 21st century and show the 23rd century crew as horrified by it and work to bring Earth and humanity back toward enlightenment.

    This kinda sums up my main problem with Disco. There were great options on the table to realize a concept, but they just wrote it in an awkward way that is unsatisfying (at least to me). Sometimes, that awkwardness reads as performative/lazily progressive.


  • It’s not that Disco isn’t progressive; it’s just lazily progressive. Case in point: the scene that bothers me to this day is Adira coming out as non-binary, just beyond cringe-worthy and very 21st century. As a viewer, the scene read like Adira was waiting to be judged harshly for their identity, and it just totally took me out of the era. By the 32nd century, I’d expect that being judged harshly for one’s gender identity would be at least a millennium behind us, and the conversation should either have not happened or been so matter-of-fact that it was treated as nothing. I get what the writers were trying to do, and it fell so flat and felt so bluntly obvious. I’m all for the message, but the delivery was not great.

    The saddest thing about Disco to me is that there were great ideas and great intentions, but the execution of those ideas was so poor. Really, it just shows that you can have great actors, great directors, and great concepts, but if the writers can’t make it work, it just all comes apart.


  • The original paper itself, for those who are interested.

    Overall, this is really interesting research and a really good “first step.” I will be interested to see if this can be replicated on other models. One thing that really stood out, though, was that certain details are obfuscated because of Sonnet being proprietary. Hopefully follow-on work is done on one of the open source models to confirm the method.

    One of the notable limitations is quantifying activation’s correlation to text meaning, which will make any sort of controls difficult. Sure, you can just massively increase or decrease a weight, and for some things that will be fine, but for real manual fine tuning, that will prove to be a difficulty.

    I suspect this method is likely generalizable (maybe with some tweaks?), and I’d really be interested to see how this type of analysis could be done on other neural networks.


  • I’m in Illinois, and my entire family thought I was nuts for supporting bail reform. My cop brother said that we’d have hordes of criminals on the street causing more crime, and my parents again voiced how they “want to move out of state” (because Indiana is sooooooo much better /s). They never could answer why paying to be set free until court was so central to security because it never made sense to tie pre-trial lock up with ability to pay.

    They never bring it up anymore, and for that, I’m grateful.