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Joined 1 year ago
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Cake day: July 5th, 2023

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  • Ok so most monitors sold today support DDC/CI controls for at least brightness, and some support controlling color profiles over the DDC/CI interface.

    If you get some kind of external ambient light sensor and plug it into a USB port, you might be able to configure a script that controls the brightness of the monitor based on ambient light, without buying a new monitor.


  • Sometimes the identity of the messenger is important.

    Twitter was super easy to set up with the API to periodically tweet the output of some automated script: a weather forecast, a public safety alert, an air quality alert, a traffic advisory, a sports score, a news headline, etc.

    These are the types of messages that you’d want to subscribe to the actual identity, and maybe even be able to forward to others (aka retweeting) without compromising the identity verification inherent in the system.

    Twitter was an important service, and that’s why there are so many contenders trying to replace at least part of the experience.


  • In addition to the stone/clay based works that you might be thinking of, I find certain metalworking sculptures to be interesting, too. Alexander Calder made a bunch of red steel sculptures, almost architectural art, in addition to things like dynamic mobiles. Louise Bourgeois’s “Maman” is an interesting one, too.

    There are small metal sculptures, too. From little trinkets made from wire, to welded metal parts, to elaborate chandeliers, these all involve artistic creativity in manipulating materials in a three dimensional space, and it’s a skillset that I admire and respect (and do not have any, myself).



  • Weight distribution and jiggle control is something I can’t relate to though

    It’s not hard. Put on a really heavy backpack and leave the straps super loose, and go try to move around, maybe a few athletic moves that involve changing speed or direction. Compare to a tight backpack with a waistband and shoulder straps properly strapped to your body, and try to move around again. The straps help control the extra motion so that you’re in better control.

    Or run around in shoes 5 sizes too big. Or go for a run with your arms loose and intentionally left limp, swinging around like pendulums.

    The whole world has a million examples of why providing bracing and support makes for more efficient and comfortable movement.







  • Or is a by product of its former format, the live laughs with a crowd while filming?

    This is the reason. Television comedy derives from stage shows where the audience sits in one direction from the stage.

    A lot of early television comedy programming was often from variety shows, where the live studio audience is an important feedback mechanism for the actual performers. A standup comic needs a laughing audience to respond to (and often, so do other stage performers, including sketch comedy).

    So television comedy comes from that tradition, and a live audience was always included for certain types of programs. Even today, we expect variety shows to have audiences. For example, John Oliver’s show without an audience felt kinda weird while that was going on in 2020. And even some pre-filmed sketch comedy shows, like Chappelle’s Show, would record audiences watching the pre-recorded sketches as part of the audio track for the broadcast itself, while Chappelle himself was filmed essentially MCing for that audience and those sketches.

    So sitcoms came up on sets with live performances before studio audiences, just like sketch comedies and variety shows or daytime talk shows. That multi camera sitcom format became its own aesthetic, with three-walled sets that were always filmed from one direction, with a live audience laughing and reacting. Even when they started using closed sets for safety and control (see the Fran Drescher stuff linked elsewhere in this thread), they preserved the look and feel of those types of shows.

    Single camera sitcoms are much more popular now, after the 2000’s showed that they could be hilarious, but they are significantly more expensive and complicated to shoot, as blocking and choreography and set design require a lot more conscious choices when the cameras can be anywhere in the room, pointed in any direction. So multi camera still exists.



  • It’s just a type of injury. Injuries themselves don’t give you a right to sue, you have to be injured by someone else doing something wrong.

    Can I sue for blindness? Yes, if someone caused my blindness in a way that they’d be liable for. Same with other injuries like broken bones or lost employment or embarrassment or paralysis.

    So if someone drives drunk and hits you with their car, paralyzing you and causing loss of enjoyment of life, you can sue them and would have to prove liability (they caused your injury in a way that causes them to have to pay for it) and damages (the amount of money they owe you based on how injured you are). Something like loss of enjoyment of life would be part of the second part of the analysis.



  • I think that it’s foolish to concentrate people and activity there even further, it defeats the point of a federation.

    It defeats some of the points of federation, but there are still a lot of reasons why federation is still worth doing even if there’s essentially one dominant provider. Not least of which is that sometimes the dominant provider does get displaced over time. We’ve seen it happen with email a few times, where the dominant provider loses market share to upstarts, one of whom becomes the new dominant provider in some specific use case (enterprise vs consumer, mobile vs desktop vs automation/scripting, differences by nation or language), and where the federation between those still allows the systems to communicate with each other.

    Applied to Lemmy/kbin/mbin and other forum-like social link aggregators, I could see LW being dominant in the English-speaking, American side of things, but with robust options outside of English language or communities physically located outside of North America. And we’ll all still be able to interact.


  • I sync if I have a good Internet connection, like from my hotel room or whatever, by VPNing into my home network where my NAS is. There are distributed DNS type solutions for a lot of the big NAS brands, where they’ll let you access your data through their service, but I never set that up because I already have a VPN. So my NAS and firewall are configured not to allow outside connections to that device.

    But if I haven’t synced laptop to NAS yet, then copies exist on both my camera SD cards (redundant double SD card) and my laptop.


  • 3-2-1 backup is important. I’ve been burned with lost files before, so I now make sure they’re available in multiple places.

    I also encrypt everything. My laptops can’t be unlocked by anyone except myself: Apple Filevault on my Apple laptop, LVM on LUKS on my Linux laptop. If something happens to me, my laptops must be wiped completely to be useable as a used device.

    My NAS keeps my backups of all my documents and media (and as a hobbyist photographer, I have over a terabyte of photos and videos I’ve taken). It’s encrypted, but I’ve written the key down on paper and put it in my physical documents. If something happens to me, someone who goes through my physical documents will have access to my digital files.

    I pay a cloud service (Backblaze) for cloud backups. I trust the encryption and key management to not actually give the service provider any access to my files.