Guy who finished a law degree for some reason. I didn’t mean to, it just kinda happened
Sure, if Splatoon 3 were actually good. It’s a game designed from the ground up to be frustrating, between terrible matchmaking, peer-to-peer multiplayer, and stage design that forces players into very lopsided combat.
Play something good with your family, not Splatoon 3.
That was disproven several times - the guy who claimed it even admitted he’d altered Palworld’s assets to show that supposed ‘similarity’
Any recommendations for mods? I’m putting together a new build for it ahead of my semi-annual replay of the trilogy
Is it an appeal? That would explain it
As a fellow Steam user/gamer, I’m in this picture and I do not like it whatsoever
Cooooool, so they’re gonna release it in Australia to stop the scalping here, right?
Right?
FWIW, one of the lead developers of Dragon Age Inquisition confirmed that a lot of decisions around that game were EA wanting them to make Skyrim (for instance, the addition of mounts) Source: https://youtu.be/4Q5_RsII_Ho?si=a9CTmyHpEpgfuPTe
YOU ARE AN ENEMY OF MICROSOFT; YOU MUST BE DESTROYED
OFF TOPIC:
Speaking from a feminstic but also Australian position, I think it’s kinda problematic to outright ban language internationally when the connotation of concern is specific to one culture. We use that word pretty liberally here, and it isn’t done so with remotely the same definition; instead, it is typically used interchangeably with “dickhead” and “arsehole”. Whilst I definitely support your efforts, I don’t think this is the right way to go about it, as it’s a very clear use of American exceptionalism when Americans, taken as a part of the world, make up a minority of people on the Internet.
ON TOPIC:
Yeahhhh, Elon both frightens and disgusts me. What a selfish twat.
Yeah, ultimately this article reads as if it is questioning the quality of a work on the basis of how the audience engages (or doesn’t engage) with it. Ultimately there is one case where the character dies due to a bad dialogue choice, and that response is very clearly a joke one for if you’re not roleplaying.
I dunno, it just seems as if the article is clickbait, and if this game dev would prefer playing a game 90% ludonarrative dissonance and 10% no meaningful player choice.
I’ve been meaning to; I own it, along with the rest of the Metro series, but just haven’t had the time
Great question! Really loved the Bioshock series, along with Bethesda FPSs (although they’re not great, I rather enjoy the open worlds). Cyberpunk was great fun, although disappointing in a lot of ways. The Doom series is a personal favourite, although Eternal wasn’t perfect, I really loved how the stories were handled in the previous two games.
For me, I like to seek a balance between story and gameplay. My big thing though is immersion, and being able to really understand the Universe the game takes place in.
Whilst not FPSs, the closest thing to Halo that I loved (Space-Opera shooters), the Mass Effect trilogy tops the list.
I’m gonna piss a lot of people off, and say that I really, really cannot stand Halo - the whole franchise, not just the 343 stuff.
The way I see it, my problem with the series is twofold: storytelling and gunplay. The storytelling is weak at best: whilst I’m usually a huge fan of environmental storytelling, there’s just so little information in game for me to go off! It wasn’t until I read the Reach novel that I figured out who the Covenant were beyond just “evil aliens”. I questioned this issue on the site we don’t talk about and was told to read the books, but put simply, if I have to read a book to understand your plot, then you haven’t told your plot well enough. Chief is presented in the game as this incredible figure (as are the Spartans), but the games never really tell you why, and as such I never really care about Chief or his bullshit.
Regarding the gunplay, I find it (and movement) simply too floaty to be enjoyable. There isn’t enough recoil from a lot of the weapons, and the SFX on most of the guns don’t give a great sense of power.
I understand that it’s a massive series of nostalgia for a massive number of people. I understand that it redefined FPSes, and I respect the games for this. They deserve every bit of praise people give them. They aren’t bad games, but I just do not enjoy them.
FWIW, you’re correct; you haven’t finished Act 2, and you actually got the bad ending.
Honestly such a great game, I really appreciate that a deus ex machina like that is an option and will just end the game; it fits in quite nicely with how D&D itself works
Not remotely microtransactions at all. The purchase you’re referring to is the deluxe edition upgrade, which came free to anyone who played the game during the beta, and costs $10 USD for:
Honestly? To call this a microtransaction is making a pretty big and unjustified claim. This is a bonus to chuck the devs a little extra money for the soundtrack and artbook. The additional stuff is moreso a bonus for purchasing the first two. By comparison, CoD charges $18USD for a gun skin.
Lot of people insistent on rewriting history regarding Inquisition. It won GOTY when it came out, and honestly, with very good reason.
Mate, you have no idea what you’re on about. Larian is one of the most transparent studios there is, and they have not once released a game with microtransactions or DLC. Similarly, every game they made has had a free “definitive edition” within twelve months of release.
Research before you make claims like this, Larian are not a AAA studio.
I suppose Dungeons and Dragons Online kinda resembles that concept, if you squint. Honestly though that would be amazing, I reckon I’d appreciate Faerun done in the style of a far bigger Elder Scrolls game, simply because of how much I love that world. That said, there’s no way that’d be feasible with current tech whilst still maintaining the scope and depth of BG3, which is phenomenal.
Gets even more painful as an Australian - base game alone costs $120, but with the expansion? Fucking $170. Insanity.
Nah, it’s both now. I call the new category Swumbles Empoisoned Jumble