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Joined 1 year ago
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Cake day: June 19th, 2023

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  • Using a headphone in production =/= a good headphone.

    Cans for mixing have a compleptly different sound signature than for music enjoyment. Unless you just love trebble, stuff like beyerdynamic and m50x are atrocious sounding.

    They are a resolving headphone for sure, and very well built. They’re not a bad headphone per-se but for normal folks they really need to stop being recommended so much.

    Stuff like the Philips shp9500 and akg K371 are way more enjoyable, cheaper, and still pretty much indestructible. But the true advice is that audio is subjective as fuck, try out some stuff and find what you like. Trust your ears, not some dude on the Internet


  • If you have an amp: Modhouse Argons. The Fostex t50rp is built like a tank, and while it’s not the most resolving planar in the world the sound signature is just a ton of fun. I’ve had various t50rp mods for 15+ years, none of them have broken and the argons are in my top 3 of all time. But they really do drink about 1 watt per channel, so if you’re not already in the deep end, just avoid jumping in altogether.

    No amp: KSC75/porta pros are pretty bassy, they just lack sub bass. Plenty of impact though, and for most music it’s all you really need. Pick youself up an $10 apple dongle (apple sucks but their dongle dac is legitimately a great value) and you have about 90% of what an audiophile spent thousands to achieve.

    Another no-amp option could be Monoproce retro headphones. It’s sort of like an akg 240 clone but fully closed. The stock pads are terrible, but with some xl leather pads they become very comfortable and super bassy. The pads and cans are like $25 each; it’s a pretty unbeatable value. But they are also a bit of a one trick pony, if you’re looking to daily drive something the akg K371 would be a better rounded option.