Logline
La’An travels back in time to twenty-first-century Earth to prevent an attack which will alter humanity’s future history—and bring her face to face with her own contentious legacy.
Written by David Reed
Directed by Amanda Row
Note: This is a second attempt, as technical difficulties were preventing people from seeing the original discussion post. Apologies to the people who were able to comment in the original.
The more I think about this episode the more impressed I get. There’s so many small moments where they could have taken the easy, obvious choice and it would have been fine, and instead they were just a little more thoughtful and a little more creative and it shows.
They could have just had Pelia push a secret button to reveal her stash of alien tech, and that probably would have been fine. Instead they show her as this woman who’s very smart and obviously immortal but otherwise…just a person living through history, which is so much better. Imagining the 250 years between the present and when she’s one of the most famous engineers in the fleet is fun.
They could have had the Romulan agent just be a cold, ruthless assassin from the future who’s here to get the job done, and that would have been fine. Instead she’s this slightly unhinged woman, trapped out of time, stuck undercover on an alien world for thirty years on a mission that she’s not sure exists anymore and I love the way she starts losing it at the end, that she just wants to kill this kid and be done with it.
They could have cast Khan as a hot 20 something available in the Toronto area and had him to a Ricardo Montalbán impression and give us a tense standoff, and I would have been annoyed at that, but it probably would have been fine. Instead they show us an actual child, and remind is that Khan was a horrifying monster, but he was created by a world with monsters of its own, monsters who built a child in a laboratory and raised him in a basement, and suddenly its a piece of implied context made explicit that I didn’t even know I wanted.
And of course they could have just had Kirk agree to fix the timeline because its the right thing to do, or because he loves La`an, or because…honestly, because the plot has to happen, this is something that so many stories would just gloss over to keep the story moving. And instead we get one line, “Sam’s alive?” and my heart jumped to my throat a little bit and immediately we understand why he’s willing to go through with this.
I’m really really impressed with the writers on this episode.
It’s not just fun–but it speaks to a different demographic than most shows speak to.
It’s telling older women that it’s not too late to change and grow and learn. Here she is, obviously having already lived a long life–but then we learn she hasn’t ALWAYS been an engineer from the start. She did not begin as someone obviously fascinated by science.
She realized later in life. And then she was able to SUCCESSFULLY pursue her career and become an expert. Just because she wasn’t a child prodigy didn’t mean she couldn’t learn and grow. There’s SO many stories focusing on people who have things 100% right immediately out of the gate. Top grades in school, top performance at work, accolades, reccomendations from the time they were teens.
But this story is of an ordinary eccentric retail worker…who goes back to hit the books and succeeds with her change.
This lesson will go over 75% people’s heads…but in true Star Trek fashion, even if it elludes many, it’ll hit home with the demographic it’s meant to talk to. Older women who feel like they’re too old to change. That they shouldn’t even try. It’s talking to THEM like so many other characters in Star Trek talk to other overlooked people.
And that makes this detail–one out of many in this excellent episode–top Star Trek.
Wow. You get my first Lemmy upvote on this post! Thank you for pointing out all these details.
Although it does remain very funny that they’re doing this much work to make us care about Sam Kirk, a character who’s fate is to die off screen to a brain parasite before the episode even starts. Sorry Sam.
I think it’s more that they’re introducing Kirk sideways, by way of humanizing him through how he cares for Sam.